Best Open-World Games On Handheld Consoles

Summary

• Open-world games can thrive on portable consoles, offering a sense of exploration and freedom on the go.
• The Minish Cap on GBA provides a unique experience with interconnected design and discovery.
• GTA: Chinatown Wars on the DS offers a full GTA experience scaled down for handhelds with ambition.

There’s something magical about diving into a full-blown open world while lying in bed, stuck in traffic, or hiding from social obligations behind a handheld console screen. These games don’t just run surprisingly well on portable hardware; they thrive on it.

Whether it’s the sheer scale, the freedom to explore, or the chaos that gamers can cause in a city they carry in their backpack, these titles prove that “handheld” doesn’t have to mean “small.” Some are underappreciated gems, others are genre-defining heavyweights, but all of them deliver that “I’ll just play for five more minutes” energy, which often turns into hours.

The Legend Of Zelda: The Minish Cap

Sometimes, Being Small Lets You See The Big Picture

The Legend of Zelda: The Minish Cap doesn’t get talked about in the same breath as the big 3D Zeldas, and that’s a real shame. On the Game Boy Advance, Capcom and Nintendo teamed up to create a delightfully compact version of Hyrule that felt just as open and full of secrets. The twist? Players can shrink down to bug-size and explore hidden nooks and crannies that turn otherwise mundane areas into sprawling dungeons.

It’s not open world in the traditional sense, but the interconnected design and constant sense of discovery make it feel wide open. Between fusing Kinstones, solving environmental puzzles, and diving into side paths that open entirely new subplots, The Minish Cap nails that feeling of getting lost in a world. It just happens to do it while fitting in the player’s pocket and running like a dream on the GBA.

Assassin’s Creed 3: Liberation

A Hidden Blade In A Hidden Gem

There aren’t many handheld-exclusive Assassin’s Creed titles, but Assassin’s Creed 3: Liberation on the PS Vita didn’t just fill that gap. It carved out its own identity. Set in 18th-century New Orleans, players control Aveline de Grandpre, the series’ first female protagonist, as she navigates a city caught between cultures, power struggles, and revolution. The open world isn’t massive by franchise standards, but it’s dense with detail, boasting bustling markets to murky swamps teeming with smugglers and secrets.

What made Liberation stand out wasn’t just that it shrunk the AC formula down for the Vita. It introduced new mechanics like the Persona System, letting Aveline switch between roles (Assassin, Lady, or Slave) to manipulate how NPCs and guards react to her. On a technical level, the game pushed the Vita to its limits, running smoothly while maintaining the parkour, stealth, and combat that defined the series intact. It may have been a spin-off, but for handheld players, it felt like the real thing.

Test Drive Unlimited

It Isn’t Just About Driving; It’s About Where You Drive

Test Drive Unlimited on the PSP did something no one expected back in 2006. It gave players the entire Hawaiian island of Oahu to drive across. It’s not just some scaled-down facsimile; it’s an actual mapped recreation, featuring highways, coastal roads, forests, and small towns, and all are explorable without a single loading screen. And yes, it ran on the PSP.

What made it work was the structure. Players weren’t forced into races every few minutes. They could cruise across miles of open roads, stop at dealerships, buy houses, or take on delivery gigs at their own pace. It was a relaxed kind of freedom rarely found in handheld racers. The visual fidelity wasn’t top-tier by console standards, but the sense of scale, freedom, and atmosphere blew every other racing game on handhelds out of the water.

Grand Theft Auto: Liberty City Stories

If You Steal A Car In Portable Form, Does That Make It A Microcrime?

Grand Theft Auto: Liberty City Stories brought a full 3D GTA experience to the PSP at a time when the idea sounded borderline ridiculous. But what came out of it wasn’t just technically impressive; it was actually fun. Players returned to Liberty City, three years before the events of GTA 3, stepping into the bloody rise of Toni Cipriani as he claws his way back into the Leone family’s good graces.

What makes it a standout open-world experience on a handheld isn’t just the freedom to go anywhere or do anything. It’s how Rockstar managed to preserve the same tone, structure, and chaos that defined GTA 3 but optimize it for shorter play sessions without making anything feel stripped down. Mission variety, radio stations, side content, and even the city’s familiar layout all survived the jump. On a device barely larger than a phone, Liberty City still felt like a city.

Gravity Rush

Gravity Doesn’t Just Pull You Down; It Pulls You In

Gravity Rush pulled off something that felt too weird to work and made it sing on the PS Vita. Its open world floats, literally. The city of Hekseville isn’t just a backdrop; it’s a vertical playground where players can manipulate gravity and fling themselves across rooftops, ceilings, and skyways. This gravity-bending movement was more than a gimmick. It shaped every part of exploration and combat, giving players the kind of spatial freedom that most handheld games never even attempt.

The PS Vita hardware was pushed right to the edge here, with surprisingly fluid traversal mechanics and a stylized world that knew when to lean into comic book flair and when to let its atmospheric music and sound design do the heavy lifting. Kat isn’t just a great protagonist for handheld audiences; she’s a joy to control, with every tilt and launch through the air feeling like a burst of freedom. Few games feel this liberating on a big screen. Fewer still pull it off while fitting in your palm.

Grand Theft Auto: Chinatown Wars

Being A Criminal Was Never Meant To Feel This Convenient

Grand Theft Auto: Chinatown Wars on the Nintendo DS (and later PSP) is what happens when Rockstar decides to go experimental and ends up outdoing most other studios’ mainline efforts. It shrunk down the lawless chaos of GTA into a top-down, neon-drenched reinterpretation of Liberty City and still managed to include a working drug trade simulation, fully functioning GPS, police heat system, and mini-games for everything from hotwiring to dumpster diving.

Huang Lee’s story feels tailor-made for the DS’s dual screens. Inventory management uses the touchscreen, driving feels sharp and responsive, and even the stylus-based interactions are immersive in ways that shouldn’t work as well as they do. But the real surprise is how it never feels watered down. Every corner of Liberty City is explorable, filled with missions, stunts, and chaotic side jobs. It’s open-world gameplay done with surgical precision, scaled for a handheld but bursting with ambition.

The Legend Of Zelda: Tears Of The Kingdom

The Only Game Where Getting Distracted By A Tree Feels Like Progress

The Legend of Zelda: Tears of the Kingdom takes the expansive open-world foundation of Breath of the Wild and adds literal layers to it. Sky islands float above, massive caverns sprawl below, and the Switch somehow manages to load it all without catching fire. What makes it a marvel isn’t just that it runs well; it’s that it runs this well while letting players build flying machines, glue weapons together, and catapult Koroks off cliffs.

Hyrule isn’t just open; it’s interactive in ways that most sandbox games barely attempt. Players can solve shrines however they want, construct absurd contraptions to bypass puzzles, or use physics to wipe out entire enemy camps in style. The fact that all of this is happening on a handheld console that fits in a jacket pocket makes Tears of the Kingdom one of the most technically impressive portable experiences of all time.