Some studios embraced stop-motion in gaming for a unique, handcrafted look that stands out.
Clay aesthetics added charm to games like Skullmonkeys and Primal Rage, enhancing the player experience.
Stop-motion games like Claymates and Platypus featured whimsical visuals, creating a nostalgic and engaging atmosphere.
Though classic games tried all sorts of visual experiments, stop-motion always held a special kind of charm. The imperfect, textured look makes it feel handmade in a way digital art just can’t replicate. While not as common as pixel art or 3D polygons, some studios went all in on sculpted clay and minatures with painstaking effort to give a look to their games that stands out even decades later.
Here are a few stop-motion titles ranging from absurd platformers to goofy fighters, but they all carry that unmistakable handcrafted soul.
Skullmonkeys (1998)
Dancing Bones And Silly Platforms
Skullmonkeys
Systems
Released
February 6, 1998
ESRB
Teen // Comic Mischief, Mild Animated Violence
Developer(s)
The Neverhood, Inc.
A goofy sequel to 1996’s The Neverhood,Skullmonkeysditches the point-and-click adventure puzzles for a straight-up platformer. With every level built from clay sets and the hand-molded enemies, everything wobbles around like a living art project. The story has players battling Klogg’s monstrous minions across a whole range of bizarre worlds brought to life by stop-motion.
Like its prequel, what makes Skullmonkeys so charming is how strong its commitment to clay is; the menus, cutscenes, and even death animations were all filmed using physical models. Pairing all that with a funky soundtrack gave the world a platformer that felt as much like an art experiment as a video game.
Mortal Kombat with dinosaurs is enough to sell anyone, but Primal Rage went one step further with its art direction, giving it a distinct identity. Rather than using drawn sprites or live actors, the game used clay puppets with every stomp, tail swipe, and fireball animated frame by frame in great detail.
Its premise was also gloriously ridiculous: giant dinosaur and monkey gods battling for supremacy in a ruined world where humans worship the gruesomeness. Each hit has weight behind it with a satisfying crunch. The clay aesthetic made the playable monsters in Primal Rage feel tangible in a way pixel art couldn’t.
Claymates (1993)
A Colorful Adventure In Clay
Platform(s): SNES
Released: November 20, 1993
Developer(s): Visual Concepts
Genre(s): Platformer
This 1993 platformer put players in control of a boy who can transform into different animals with a magical ball of clay. The world is bright, imaginative, and uplifting, and every character looks like it could have been sculpted on someone’s kitchen table. Unlike some of its peers, Claymatesleaned into the original spirit of stop-motion animation with its lighthearted cartoon energy.
The premise lent itself to the medium perfectly – the transformations into animals ranging from a cat, mouse, and fish were a clever excuse to show off the gorgeous clay animations. The result was a whimsical little platformer that captured pure 90s charm and stood out in the crowded SNES library.
Gumby vs. The Astrobots (2005)
Gumby Takes On The Robots
Platform(s): Game Boy Advance
Released: August 9, 2005
Developer(s): Namco
Genre(s): Platformer
In a year that gave fans 3D cinematic masterpieces like Shadow of the Colossus, stop-motion had mostly faded from gaming, but Gumby vs. the Astrobotsbrought the classic green character back in sculpted form. Based on the beloved TV series, it captured the spirit of Gumby’s weird clay world while adding simple platforming puzzle-solving mechanics.
The story revolves around Gumby and friends facing off against robotic invaders threatening their world. Though its gameplay was simple and sometimes clunky even by Game Boy Advance standards, the clay look carried it. Nostalgia did a lot of the heavy lifting here; seeing Gumby stretch, bend, and bounce around in playable form felt like stepping into an old episode of the show.
Platypus (2002)
Shooting Clay Never Looked So Smooth
Platypus is one of the strangest shoot ’em ups ever made, but not because of its mechanics, which play like a traditional side-scroller. The ships, enemies, explosions, and bullets were crafted from clay and digitized. The result is a shooter that feels oddly warm and inviting despite being a bullet hell about mass destruction.
The tactile look still holds up to this day. Enemies squish when destroyed, projectiles shake as they fly, and the backgrounds feel sculpted, not drawn. Even beneath the charming visuals, the mechanics are solid too, with tight controls and a fun gameplay loop. That stands to explain why it’s getting a remake in 2025, with minimal changes to the visuals and gameplay. They were just that good to begin with.
This parody fighter both poked fun at the fighting game genre while also flexing its claymation aesthetic. Instead of stoic martial artists, players battled each other as snowmen, literal blobs, and Elvis impersonators. The absurd roster was the perfect match for the art style, resulting in the game getting a cult following during a time when fighting games took themselves very seriously.
Every punch and kick had that slightly jerky, handmade feel that can only be found in stop-motion, which gave the whole game a sense of personality. ClayFighter was goofy and rough around the edges, just like the medium it was designed in, but it was also undeniably unique in how it married clay-based comedy with fighting mechanics.
